March 26, 2024 Written by Robert Elston

Karen Salicath Jamali isn’t your typical musician. This Danish-born, NYC/Florida-based artist seamlessly blends music and visual arts, creating a unique soundscape that transcends boundaries. Her latest offering, “Angel Zadkiel (The Angel of Surrender),” is a testament to this remarkable fusion.

Imagine a song born from a dream. “Angel Zadkiel” isn’t meticulously crafted; it’s a channeled melody, a message received during sleep and then translated onto the piano. This unique creative process, sparked by a near-death experience and subsequent head injury, sets Karen‘s work apart. It’s raw, unfiltered music that flows directly from the wellspring of her subconscious.

“Angel Zadkiel” is a solo piano piece, an introspective exploration guided by the quiet contemplation of the Angel of Surrender. The traditional portrayal of angels with trumpets and fanfare is replaced here with delicate melodies and evocative chord progressions, creating a sense of serenity and acceptance.

This serenity is no accident. Karen Salicath Jamali‘s background in the visual arts, particularly her sculptures focused on peace and balance, spills over into her music. The sculptures become sonic landscapes, each note a brushstroke, building a world of tranquility. Angels, a recurring theme in her art, find their voice in “Angel Zadkiel,” their presence calming energy that transcends the physical.

“Angel Zadkiel” serves as a gateway to Karen’s latest album, Angel Pollination. It’s the first brushstroke on a canvas of divine, innocent, and spiritual explorations. The song awakens the listener, inviting them on a journey inward, a chance to connect with the quiet whispers of their own hearts.

Karen’s artistic journey is a tapestry woven from music and the visual arts. While music currently occupies the foreground, her sculptures and paintings remain a grounding force, a source of balance in this endlessly creative life. Performing solo at Carnegie Hall has further fueled her passion, solidifying her belief in the universality of her music.

Looking ahead, Karen envisions “Angel Zadkiel” as a potential springboard for collaboration. The song’s serenity might be a prelude to a richer soundscape, incorporating choirs and additional instruments. This openness to evolution reflects the very essence of Karen’s artistry—a constant dialogue between dreams, music, and the divine.

“Angel Zadkiel” beckons the listener to quiet the mind, embrace vulnerability, and embark on a personal exploration guided by the music’s gentle hand. Karen Salicath Jamali is a true artist, a bridge between the conscious and the subconscious, and “Angel Zadkiel” is a powerful testament to the magic that unfolds at this intersection.

April 4, 2024

Breaking News

Karen Salicath Jamali isn’t one to follow a conventional path. This multi-talented artist, weaving between music and visual arts, unveils her latest creation, “Angel Zadkiel (The Angel of Surrender),” a song that transcends the boundaries of typical pop music.

Imagine a melody whispered in a dream. “Angel Zadkiel” isn’t meticulously crafted; it’s a channeled message, a soliloquy from the subconscious translated onto the piano. This unique process, born from a transformative near-death experience, imbues Karen‘s work with a raw authenticity. It’s music stripped bare, an essence unveiled directly from the depths of her dreams.

Forget catchy lyrics and driving beats. “Angel Zadkiel” is a solo piano piece, an introspective dive into the quiet contemplation inspired by the Angel of Surrender. Delicate melodies and evocative harmonies replace the traditional bombast of angelic choirs, creating a soundscape of serenity and acceptance.

This tranquility isn’t accidental. Karen‘s background as a sculptor spills over into her music, each note a brushstroke, building a world of peace. The sculptures become sonic landscapes, their focus on balance mirrored in the music. Angels, a recurring theme in her art, find their voice here, and their presence has a calming energy that goes beyond the physical realm.

“Angel Zadkiel” serves as the opening act for Karen’s upcoming album, Angel Pollination. It’s the first stroke on a canvas exploring themes of innocence, divinity, and the inner spirit. The song awakens the listener, inviting them on a journey inward—a chance to delve into the quiet whispers of their own hearts.

Karen Salicath Jamali’s artistic journey is a vibrant tapestry woven from music and the visual arts. While music takes center stage now, her sculptures and paintings remain a foundation and a source of balance in her endlessly creative life. Performing solo at Carnegie Hall solidified her belief in the universality of her music, a belief that fuels her artistic fire.

Looking ahead, Karen envisions “Angel Zadkiel” as a potential launchpad for collaboration. The song’s serenity might blossom into a richer soundscape, incorporating choirs and additional instruments. This openness to evolution reflects the very core of Karen’s artistry—a constant dialogue between dreams, music, and the divine.

“Angel Zadkiel” isn’t just a calming melody; it’s an invitation. It beckons the listener to quiet the mind, embrace vulnerability, and embark on a personal odyssey, guided by the music’s gentle hand. Karen Salicath Jamali is a true artist, a bridge between the conscious and the subconscious, and “Angel Zadkiel” stands as a powerful testament to the magic that unfolds at this intersection.

MARCH 25, 2024

Step into the world of Karen Salicath Jamali, where dreams become music. This Danish-born, NYC/Florida-based artist transcends boundaries, crafting a unique soundscape that blends music and visual arts. Her latest offering, “Angel Zadkiel,” exemplifies this remarkable fusion.

“Angel Zadkiel” isn’t your typical piano piece. It’s a channeled melody, a message received during sleep and then translated onto the keys. This unique creative process, sparked by a near-death experience and subsequent head injury, sets Karen‘s work apart. It’s raw, unfiltered music that flows directly from the wellspring of her subconscious.

Imagine a song devoid of lyrics yet brimming with emotion. “Angel Zadkiel” is an introspective exploration guided by the serenity associated with the Angel of Surrender. Delicate melodies and evocative chord progressions replace the traditional fanfare often associated with angels, creating a sense of calm acceptance.

This serenity is no accident. Karen Salicath Jamali‘s background in the visual arts, particularly her sculptures focused on peace and balance, spills over into her music. The sculptures become sonic landscapes, each note a brushstroke, building a world of tranquility. Angels, a recurring theme in her art, find their voice in “Angel Zadkiel,” their presence calming energy that transcends the physical realm.

“Angel Zadkiel” serves as a gateway to Karen’s latest album, Angel Pollination. It’s the first brushstroke on a canvas of divine, innocent, and spiritual explorations. The song awakens the listener, inviting them on a journey inward—a chance to connect with the quiet whispers of their own soul.

Karen‘s artistic journey is a beautiful tapestry woven from music and the visual arts. While music currently occupies the foreground, her sculptures and paintings remain a source of balance in this endlessly creative life. Performing solo at Carnegie Hall has further fueled her passion, solidifying her belief in the universality of her artistic expression.