Karen Salicath Jamali Earns Major Accolades for ‘Dreams of Angels’

Karen Salicath Jamali’s music continues to captivate and resonate with listeners worldwide, earning significant recognition for her stunning album Dreams of Angels. Recently, Salicath was selected as a Semi-Finalist in the prestigious American Songwriter’s 2024 Song Contest for her piece “Angel Hanael’s Joy.” Only 1% of the participants were chosen as semi-finalists, making this acknowledgment an incredible achievement in her burgeoning music career.

Karen Salicaths’s artistic journey has been nothing short of extraordinary, transitioning from a celebrated visual artist to a musician after a transformative near-death experience. Her album Dreams of Angels is an intimate reflection of that journey, blending vulnerability with spirituality, captured through the resonance of her 80-year-old Steinway piano.

In addition to this significant recognition, Karen Salicath is also a Nominee for Album of the Year at the 2025 Elite Music Awards for Dreams of Angels. Her ability to connect with listeners on a profound, emotional level is undeniable, and this nomination further solidifies her place in the realm of contemporary music.

Furthermore, Salicath received two nominations at the New Age Notes Radio Music Awards 2025—one for Best Solo Piano Album for Dreams of Angels and another for Best Music Video for “Angel Raphael – The Angel of Healing.” The nominations reflect the diverse impact of her music, from the sonic depth of her compositions to the powerful visual storytelling of her videos.

Salicath’s Dreams of Angels continues to be celebrated for its authenticity, emotional depth, and spiritual exploration. As she receives these accolades, it is clear that her music is making a significant mark, resonating deeply with audiences and critics alike.

Transcending the Ordinary: Karen Salicath Jamali’s ‘Dreams of Angels’

Karen Salicath Jamali‘s latest album, Dreams of Angels, captures the raw, unfiltered beauty of Jamali’s 80-year-old Steinway grand piano. Jamali’s path to music was anything but conventional. Born in Denmark and living in New York and Florida, Karen Salicath Jamali was a renowned visual artist until a transformative near-death experience in 2012 awakened her to the world of music. Despite having no prior experience with the piano, she began to play, and her compositions quickly gained recognition.

In Dreams of Angels each piece was recorded in single, unedited takes, often at dawn when the world is at its most serene. Using a Roland recorder and Neumann microphone, Jamali captures every nuance of her playing. This approach lends the album an air of vulnerability and immediacy, inviting listeners into Jamali’s intimate creative space.

The album is a spiritual autobiography. Tracks like “White Angel” and “Angel Sandalphon” evoke struggles of love, loss, and redemption, painting sonic portraits that resonate deeply with the human spirit. Jamali’s background as a visual artist is evident in the way she crafts each piece to evoke a sense of connection with something greater than ourselves.

For those willing to listen deeply, Dreams of Angels offers a moment of genuine transcendence. Whether you believe in angels or not, Jamali’s piano speaks a language that reaches far beyond the physical. It’s a reminder that sometimes the most powerful artistic statements come not from technical skill but from absolute surrender to something greater.

Dawn’s Whispers: Karen Salicath Transforms Near-Death into Musical Revelation

In the pre-dawn stillness of her studio, Karen Salicath sits before an 80-year-old Steinway grand piano, her fingers hovering over keys that have become portals to the divine. Her latest album, Dreams of Angels, emerged from these sacred morning hours, when the boundary between earthly and celestial realms grows thin enough to pierce with melody.

A decade ago, Karen Salicath was known primarily as a visual artist. Then came 2012’s near-death experience – a cosmic reset that transformed her relationship with creativity. The piano, an instrument she had never mastered, suddenly became her medium for translating otherworldly encounters into earthly sounds.

Dreams of Angels captures these translations in their purest form. Each of the album’s 16 tracks flows unedited, recorded in single takes as morning light creeps across the piano’s worn brass strings. Using only a Roland recorder and Neumann microphone, Salicath preserves every organic nuance of her communion with the unseen.

The resulting collection defies conventional categorization. Yes, there are meditative qualities in pieces like “Angel Sandalphon,” but calling this meditation music feels reductive. When “Angel Michael” builds to its thunderous climax, or “White Angel” traces its delicate path through loss and redemption, we’re hearing something more akin to spiritual autobiography in musical form.

Most remarkable is Salicath’s willingness to embrace imperfection. Unlike the meticulously edited productions dominating today’s classical and new-age genres, these pieces breathe with human vulnerability. Each hesitation and unexpected harmony serves the greater purpose of authenticity.

Dreams of Angels arrives at a moment when many seek connection beyond the material world. Salicath offers no easy answers or manufactured transcendence – instead, she shares her own raw encounters with the ineffable, inviting listeners to explore their own relationship with the divine. In doing so, she’s created something rare: an album that functions as both artistic expression and spiritual practice, each listens revealing new depths for those willing to dive deep.

There's something genuinely otherworldly about Karen Salicath Jamali's latest album Dreams of Angels. In a world where overproduced tracks dominate the airwaves, Jamali offers something radically different: pure, unfiltered communion with the divine through her 80-year-old Steinway grand piano.

In a world where overproduced tracks dominate the airwaves, Salicath offers something radically different: pure, unfiltered communion with the divine through her 80-year-old Steinway grand piano.

This isn't your typical new age fare. Salicath, who turned to music following a transformative near-death experience in 2012, approaches her instrument with the raw authenticity of someone who's glimpsed something beyond our earthly plane. Each of the album's 16 tracks unfolds in single, unedited takes, recorded at dawn when the veil between worlds feels thinnest.

The album opens with "ArcAngel Metraton," where Salicath's fingers dance across the keys with an almost supernatural grace. There's no studio wizardry here – just a Roland recorder, a Neumann microphone, and whatever spirits Salicath managed to channel that morning. The simplicity is stark, brave, and ultimately transcendent.

"Angel Raphael" might be the album's emotional center, building from whispered keystrokes to cascading waves of sound that feel less composed than discovered. Similarly, "Angel Michael" crashes through the speakers with the force of its namesake's flaming sword, while "Angel Sandalphon" offers moments of such delicate beauty that you'll find yourself holding your breath.

The standout track, "White Angel," awarded for its exceptional composition, reveals Salicath's background as a visual artist. Inspired by her sculpture of the same name, it paints sonic portraits of loss, love, and reunion. The piece achieves what most spiritual music only gestures at – a genuine sense of connection with something greater than ourselves.

What makes "Dreams of Angels" extraordinary isn't its technical complexity but its startling sincerity. Salicath isn't playing at spirituality; she's documenting her own encounters with the divine, one piano key at a time. Her dedication to capturing these moments without artifice – no editing, no overdubs, no safety net – creates an intimacy that's increasingly rare in contemporary music.

Some might dismiss this as mere meditation music, but that would miss the point entirely. Salicath's compositions challenge listeners to engage with something deeper than relaxation. This is music that demands presence, that asks us to contemplate our own relationship with the unseen.

In our cynical age, there's something refreshing about an artist willing to embrace the profound without irony. Salicath's stated hope that this album will help guide listeners to "inner peace, hope, and tranquility" might sound naïve if the music itself weren't so convincing. But it is convincing – devastatingly so.

"Dreams of Angels" serves as a reminder that sometimes the most powerful artistic statements come not from technical virtuosity but from absolute surrender to something larger than ourselves. In Salicath's case, that surrender has produced something truly extraordinary: an album that feels less like a collection of songs and more like a series of miracles captured in amber.

For those willing to listen deeply, "Dreams of Angels" offers something increasingly precious in our fragmented world: a moment of genuine transcendence. Whether you believe in angels or not, Salicath's piano speaks a language that reaches far beyond the merely physical, touching something essential in the human spirit.

Renowned composer and pianist Karen Salicath Jamali—also known simply as Karen Salicath—has outdone herself with her highly anticipated album, Dreams of Angels. This breathtaking 16-track collection is more than music; it’s a soulful journey through angelic realms, exploring themes of courage, peace, healing, and divine wisdom. Dreams of Angels invites you into a world that feels ethereal yet deeply human.

What makes this album truly remarkable is how it came to life. Karen didn’t just compose these pieces; she channeled them. Each track was recorded at dawn, around 5 a.m., in a single, unedited take on her cherished 80-year-old Steinway grand piano. Using only a Roland recorder and a Neumann microphone, she captured the pure, untouched beauty of each moment as it flowed through her. The result is a seamless, transcendent sound that’s as raw as it is otherworldly—a rare and moving invitation into the divine.

Each piece is dedicated to a specific angel, and the emotional depth is palpable. The opening track, Arcangel Metatron, honours the Angel of Life with reverent, flowing melodies, while Angel Raphael radiates the warm, comforting energy of the Angel of Healing. And then there’s White Angel—a deeply personal piece inspired by a sculpture Karen created to honour lost loved ones. This track has already won two awards at the Charleston International Music Competition, proving just how powerful and emotional her work truly is.

Karen’s journey to this point is as extraordinary as her music. Before becoming a composer, she spent over 30 years as a celebrated visual artist. But everything changed after a near-death experience in 2012. This life-altering event awakened a musical gift she never knew she had. During her three-year recovery, she started playing the piano intuitively—completely self-taught—and has since composed over 2,500 pieces. Along the way, she’s performed at Carnegie Hall eight times, proving that her music transcends genres and connects deeply with the soul.

Dreams of Angels has been lovingly mastered by PARMA Recordings, ensuring every nuance of Karen’s vision comes through crystal clear. Tracks like Angel Sandalphon bring a soft, meditative calm, while Angel Michael bursts with triumphant, uplifting energy. Together, the album weaves a rich, emotional narrative of love, compassion, and spiritual connection. Karen describes her music as an “energetic embrace of love,” and you can feel that warmth in every note.

Whether you’re looking for peace, inspiration, or just an escape, Dreams of Angels delivers an unforgettable experience. Get ready to be transported into a world of angelic soundscapes.This isn’t just music; it’s a heartfelt dialogue between Karen, her listeners, and the celestial energies that inspired her.

Having already been intoxicated by the delicate beauty and sonic charms of Hope of Angels, I approached Karen Salicath Jamali‘s latest offering, Dreams of Angels, with a sense of gentle yet eager anticipation. It is hard to find the right words for such a sublime experience as this isn’t music that rushes to grab your attention—it’s a slow unfurling of serenity, thoughtfulness, and grace, yet it isn’t easy to pull yourself away. Like its predecessor, this album is not something you listen to—it’s something you experience, something that washes over you, something that your body takes on through osmosis rather than the usual senses.

Instrumental music feels almost rebellious, especially in a world dominated by quick hooks, sing-alongs, and pop slogans. As music consumers, we have become accustomed to having lyrics that seek to guide us, telling us what to think and how to feel, signaling exactly where the story’s going. Here, with these lyricless piano compositions, the music itself is the only guide you need. It doesn’t take you by the hand and lead you to one conclusion; instead, it offers a rare kind of freedom that feels both refreshing and profound.

Of course, there’s a theme at play—a thread of angelic inspiration woven through every note, chord, phrase, and cascade of keys. Karen’s music, for her, seeks to channel her connection to these higher forces—angels, as she sees them—distilling their essence into soundscapes that feel as much like divine messages as they do worldly melodies.

These sixteen pieces take us on a journey through utterly divine and deeply human realms. Here we are asked to consider Gabriel’s fluid, peaceful domain to Uriel’s mastery over the realm of light and wisdom; we move from Jophiel’s illuminating beauty to Raziel’s spiritual clarity; each piece seems to echo the qualities of its muse. These aren’t just compositions but evocations, reflections of something far beyond the ordinary.

Whether you choose to interpret these angelic influences, as their composer does, as external divine forces, or as reflections of our own inner potential, it hardly matters. The point is not to define or label but to feel and connect. The music doesn’t insist on answers; it simply opens doors.

What is perhaps most remarkable, though, is how intoxicating this music is, how gentle and soulful in the truest sense; it’s music that transcends the usual motivations behind a melody. Whether you use it as a backdrop for quiet meditation, a gateway to higher truths, or simply as a balm for a hectic day, one thing is sure: Dreams of Angels is an extraordinary journey. Music lingers, not just in your ears but in your soul.

Karen Salicath Jamali’s Dreams of Angels offers listeners a unique musical journey that defies convention. This newly released album is an unfiltered expression of emotion, delivered as it was received—recorded in the early hours of the morning, raw and untouched. Jamali’s approach embraces imperfection, creating a deeply personal, unrefined work that invites listeners into a space of peace, compassion, and healing.

The album’s central concept is inspired by the energy of angels, with each track dedicated to a different angel and their attributes. Themes of love, light, truth, and courage are interwoven throughout, providing a meditative and introspective experience. What makes Dreams of Angels stand apart is the unconventional way Jamali plays her piano. She often keeps the sustain pedal engaged throughout entire pieces, allowing tones to blend and overlap, creating a dreamlike soundscape. This deliberate choice adds a layer of dissonance that feels meditative and otherworldly rather than chaotic.

The compositions balance arpeggiated chords in the lower register with gentle, intuitive melodies in the upper range, giving each piece a sense of narrative. For example, “Angel Raphael (The Angel of Healing)” conveys a journey through pain to healing, with dissonance reflecting the tension of that process. Meanwhile, “Angel Gabriel (The Angel of Water)” offers a more dynamic, flowing counterpart with its active melody and expansive energy.

In a world dominated by hyper-produced, single-driven music, Dreams of Angels feels refreshingly honest and profoundly different. David Franklin, in his review for Dancing About Architecture, aptly described the album as “celebratory, enlightening, otherworldly, and utterly charming.” The music transcends the mundane, offering a vehicle for reflection, meditation, or simply an escape into a higher realm of sound.

Jamali, a Danish-born artist who resides in New York and Florida, brings an impressive resume to her work. A multi-award-winning composer and pianist since 2015, she has performed eight times at Carnegie Hall and received numerous accolades, including the Clouzine Music Award for Best Instrumental Works (2024) and induction into The Akademia Music Award Hall of Fame (2023).

Her artistic bravery—writing, recording, and releasing an album of unpolished piano instrumentals—is a testament to her commitment to authenticity and her connection to the music. Whether you approach Dreams of Angels for its meditative qualities or its sheer emotional depth, it’s a listening experience that will leave a lasting impression.

https://edmrekords.com/news/f/dreams-of-angels-original-albumKaren Salicath Jamali is a name to reckon with in modern classical and neo-classical music. A multi-award-winning composer and pianist, Jamali's journey is as remarkable as her compositions. Born in Denmark, she now partly resides in New York and Florida, working as a professional artist in painting, sculpture, and photography for three decades, before unexpectedly turning her attention to music. After sustaining a head injury and near-death experience in 2012, Jamali discovered an innate ability to play and compose on the piano, an instrument she had never studied. Over the years, she has played eight times at Carnegie Hall and earned accolades such as the Clouzine Music Award for Best Instrumental Work (2024) and induction into the Hall of Fame by The Akademia Music Awards (2023). With 15k+ Spotify followers and 12k monthly listeners, Jamali is setting her foot firmly on the global musical stage, winning audiences' hearts with her distinct sound. 

But let's get to the heart of why Karen Salicath Jamali is becoming a name to watch: her music. Her newest release, "Dreams of Angels," mastered by Parma Records is a sprawling 16-song exploration of celestial beauty, spiritual resonance, and bare emotion. Each piece here is pregnant with ethereal grandeur that opens windows into Jamali's deep and abiding connection with angelic energies. Recorded in single takes on her 80-year-old Steinway grand piano, the album is a testimony to her intuitive genius and minimalistic mastery of composition. 

Its opening track, "ArchAngel Metatron (The Angel of Life)," might set the tone for the sonic journey ahead: with its spiraling arpeggios and glistening harmonics, it embodies rebirth, life, and all that this name stands for. "Angel Uriel (The Angel of Truth)" chooses a little more thoughtful view, with gentle melodies that seem to ask for answers somewhere in between the notes. 

The mesmerizing piece "Angel Raphael (The Angel of Healing)" is a masterclass in expression through music on this album, which can be rightly called a composition of sentimentalism. Supported by pleasant, long chords, delicate melodic quirks pass in and out like a gentle balm that restores comfort. 

A great piece of work is "White Angel," dedicated to all those we have lost and inspired by one of Jamali's sculptures. This piece has won two awards at the Charleston International Music Competition, and it is easy to see why. On the production side, "Dreams of Angels" meshes beauty with innocence. With an incredibly direct approach, she uses no studio effects and instead deploys a spontaneous, organic feel that captures all the depths of emotion. It is recorded with a Roland recorder and a Neumann microphone, with an intimacy that brings one to imagine sitting in the very room where she is performing. The uncluttered construction more effortlessly approximates the emotional immediacy of the music, offering the listener direct access to the feelings being stirred. The album ends with the affectionate "Angel Jeramiel (The Angel Of Dreams)." The soft rotation of chords and airy melodic lines end the album on a note of closure, almost as if the listener is being sent back into the earthly realm with loving guidance after a journey through heaven. 

Karen Salicath Jamali's "Dreams of Angels" turns out to be a diamond under quite a cover of modern classical music. An album crossing genre boundaries, it speaks directly to the soul. Perfect as a background for your meditative time or pure deep-diving into exquisiteness. If the album hasn't been played yet, stream it on your preferred streaming channel. Follow Karen Salicath Jamali on Spotify and social media for news about her releases and performances.

Karen Salicath Jamali’s “Dreams of Angels,”  is a hauntingly beautiful testament to the power of music as a spiritual conduit. This collection of 16 tracks emerges as an immersive experience rather than a mere album, capturing the ethereal realms she connects with through her artistry. Drawing inspiration from her deep, personal connection with angelic beings, Jamali’s compositions are deeply rooted in intuition, composed in the early morning hours and recorded in one seamless session. Her method, using only an 80-year-old Steinway grand piano, a Roland recorder, and a Neumann microphone, allows for a raw, unpolished sound that adds to the purity of the listening experience. The result is a delicate and profound journey that transports listeners into a space of meditative serenity and divine connection.

The opening track, “ArchAngel Metatron (The Angel of Life),” sets the tone for the album, its quiet, reflective nature drawing listeners into an intimate spiritual atmosphere. The simplicity of the piano’s gentle arpeggios each note played with careful precision mirrors Metatron’s essence as a guardian of life. The recording technique, with minimal electronic interference, emphasizes the authenticity of the performance, allowing each resonance of the piano to reverberate as though it were played directly for the listener. The track’s quietude and grace invoke a sense of calm, while its harmonic structure reflects the angel’s dual role as both protector and spiritual guide. The meditative pace cultivates a space for introspection and peace, making it the perfect gateway into the rest of the album.

“Angel Israfil (The Angel of Music)” offers a striking contrast with its cascading piano notes that evoke both harmony and movement. This track delves deeper into the celestial realm, encapsulating the boundless energy of Israfil, the angel associated with music and divine communication. The piece flows effortlessly, with each cascading note stretching out like an infinite echo, symbolizing Israfil’s role as a bridge between the divine and earthly realms. Jamali’s touch on the keys is intuitive and expressive, effortlessly capturing the angel’s cosmic role. The minimalist production, while focusing on the subtleties of each note, intensifies the track’s spiritual resonance, creating an immersive sound that envelops the listener. The delicate balance between simplicity and complexity in this piece amplifies its celestial message, inviting listeners into a deep state of meditative awareness.

Throughout “Dreams of Angels,” Karen Salicath Jamali’s skillful integration of emotional depth and technical mastery transcends the traditional boundaries of music. Each track unfolds as a personal invitation to explore divine themes such as love, healing, and peace. The album’s minimalist recording approach enhances its meditative qualities, ensuring that every nuance from the softest pianissimo to the most resounding fortissimo retains its emotional impact. This intimate, unrefined production allows the purity of Jamali’s connection with the angels to shine through, making her work feel as much like a spiritual offering as a musical achievement. “Dreams of Angels” is not merely an album to listen to it is an experience that connects deeply with the soul, making it a profound reflection of Jamali’s unique artistic and spiritual journey.